Wow, it has just been a crazy time lately. I wrote most of this yesterday at 36,000 feet, on my way home from a quick tour of Europe for work: Barcelona, Paris, Hamburg and Munich. This included numerous customer meetings and three speaking engagements:
- Typo Week in Barcelona: I talked about some of my Font Detective work
- WebVisions Barcelona: CSS 3 OpenType support, the new web typography frontier
- Typographische Gesellschaft München (Munich): Fonts for eBooks
Now I have a break for a couple of weeks before my next conference, TypeCon in Milwaukee (Aug 1–5), where I’ll host a panel to talk about Kickstarter as a means of funding new type design. I’ll also be doing a talk on the same subject at ATypI in Hong Kong (October 11-15).
In the meantime, I have been hard at work in my off-hours on my Kickstarter-backed typeface, Cristoforo, with help from my fabulous intern, Andrea Harrison. The full details are available to my backers in an update on Kickstarter, but for public consumption, I’ll just say that work continues on the upright face, and has started on the italic, and I am predictably enough wishing that I hadn’t promised to add so much language coverage (central European, Greek, Cyrillic). But it’s coming along, and the extended language support offers some greater design challenges than just digitizing an old typeface.
My day job has kept me pretty busy, and has presented me with some one-sided decisions. Gee, I have exactly one day free in Paris: work on Cristoforo, or visit the Louvre? Okay, so I’m probably not going to collect a lot of sympathy votes here. But after spending less than 48 hours in each of Paris, Hamburg and Munich, then flying back to Portland, I am pretty beat.
Finally, I need to thank my backers for Cristoforo! Without them I would not have tackled the typeface, or would have done something much less ambitious and done it more slowly. Here is the backer listing (and yes, some of these are pseudonyms, it’s whatever they use on Kickstarter).
As I’ve been posting about lately, Cristoforo is a family of three fonts I am developing, reviving Columbus & Columbus Initials (Ihlenberg, 1892) and American Italic and American Italic Initials (Ihlenberg, 1902) as well as adding a symbol font. I am the lead designer, with the assistance of my new intern, Andrea Harrison.
I funded the development of Cristoforo through a Kickstarter campaign, which raised over $10,000 from backers. Woot!
Current ETA on finished fonts? February 2013. However, limited pre-release versions will be available to appropriate levels of backers starting in mid-July.
Here are my awesome backers, in tiers by their level of support.
Great Old Ones
Philip M. Payes
M Sean Molley
Juris L. Purins
H James Lucas
Sarah E Canzoneri
Alexander Y. Hawson, M.D.
Damon Loren Baker
Battlefield Press, Inc.
Fred Hicks / Evil Hat Productions
Derek M. Koch
Mark L Pappin
Galahad de Corbenic
David Occhino Design
Robert “Rev. Bob” Hood
Hans de Wolf
Stacey Van Keuren
Rt Andrez Mora
Elliott C. Bäck
Adam Hunter Peck
THomas W. Holt Jr.
Juan M. Escribano
Wayne A Arthurton
H. James Lucas