If at first you don’t succeed….
My first go didn’t quite make it, so I reconfigured the reward structure and relaunched my Kickstarter campaign to find backers for my new typeface, Cristoforo, a revival of some classic Victorian typefaces by Hermann Ihlenburg. It’s also known as the typeface of Call of Cthulhu (the H.P. Lovecraft roleplaying game), and as the original logo for Cracker Jack. The campaign will only last until midnight on Saturday June 17. Basically, people pledge money up front for the fonts (and other goodies) so I know the project is viable. Reward options for backers depend on their funding level, and include not only the fonts, but computer desktop wallpaper, T-shirts and posters.
Kickstarter is all or nothing. Only if the total pledges exceed the minimum funding target are people’s credit cards charged and the project moves forward.
If funding exceeds the minimum by enough of a margin, I can add more language support for central/eastern Europe (including Cyrillic), and even pay an intern! Otherwise, the intern will be an unpaid position. I hope to make intern decisions in a week, and just revised the job description again.
As mentioned previously, I’m working on a revival of the Hermann Ihlenburg typeface Columbus (1892, MacKellar, Smiths & Jordan / American Type Founders), under the name Cristoforo. But now I’m looking for samples of its differently-named italic companion, American Italic (Hermann Ihlenburg, American Type Founders, 1902). I have two from the ATF 1906 specimen book, shown at right. But neither shows a complete character set at a reasonable size. If anyone has the actual metal typeface, especially in a medium to large size, I would love to get a full specimen. Or, if you have a printed sample showing all or most characters at a largish size, that would also be great!
[Update April 21/22: Just got some great pics from Jackson Cavanaugh (Okay Type), showing the relevant pages from the ATF 1899, 1900, and 1903 specimen books! Amelia Hugill-Fontanel at the Cary Library is also digging into it. I am still thinking about scans, but the pics are a fab start. I am already in good shape for Columbus Initials, the swash caps font. I’d love to hear from anybody who has metal type for any of these faces!]
I’m already in decent shape for a sample of the upright version of Columbus, unless it turns out the full typeface has more characters?
Click on any image for a larger version.
Watch this space for news on the related Kickstarter campaign coming in a few days! Get in touch if you would like a sneak preview. [UPDATE 23 April 2012: I am now funding development of this typeface on Kickstarter! Deadline is May 19.]
Many years ago, the very first digital font I ever worked on was a version of Hermann Ihlenburg‘s 1892 typeface Columbus, for American Type Founders. I had an interest in it because it was used in the logotype for the Call of Cthulhu roleplaying game, which I had long enjoyed. I never did anything serious with it, both because I did my revival by eye without benefit of scans or good quality originals, and because I didn’t know what I was doing back then. [UPDATE: I funded this typeface on Kickstarter in mid-2012! As of Feb 2013 backers have received pre-release versions of the regular and italic, but they are not “done.”]
Ihlenburg is pretty darn obscure, btw. He had the misfortune to be prolific back in the late 19th century, when type designers got very little recognition, and typefaces were just starting to be given unique names. The main available info about him is in a 1993 article David Pankow wrote about Ihlenburg for the American Printing History Association’s journal, on the occasion of an archive of Ihlenberg material being assimilated by the Cary library at RIT (Pankow was then curator of the Cary, and editor of the APHA journal).
Fast forward almost 20 years to 2010-11. While unpacking some boxes, I ran into some photocopies I had made of some good quality type specimens of Columbus, from early ATF specimen books. This was handy, because the earliest ATF book I have is about 1906, and the design had already been dropped by then. A quick search online verified that nobody had done a decent digital version yet. There’s a free version called by its original name, Columbus, by a fellow named Sam Wang, and an $18 commercial font called Beaumarchais from Scriptorium that is particularly awful, worse then the free font. Each has about 100 glyphs.
So I’ve been working on and off on doing a better version from digitized scans. It’s not “done” exactly, but it is already a whole lot better than either of the other versions currently available. I’m still tuning spacing and additional glyphs. I plan about 260 total glyphs, of which about 106 are in good shape right now, including alternate swash caps, which were not done in the previous digital revivals. I am using my old typeface as a placeholder and replacing glyphs as I fix them up.
I did a little bit of work on this font during the type busking at TypeCon New Orleans, and got some good feedback on the eszett and the spacing while I was there (thanks to Gary Munch et al).
I can’t call it Columbus, however: ATF’s trademark lapsed, and Monotype trademarked the same name for a 1992 Patricia Saunders typeface (celebrating the 500th anniversary of Columbus’ famous arrival, while Ihlenburg’s typeface was so named for the 400th anniversary). My previous attempt had for a while been called “Columbine” but that has taken some unfortunate connotations, so for now I’m calling it “Cristoforo,” after the sailor’s first name.
I’m still not sure what I’ll do with it. For now I am licensing it on special one-off terms to a very small handful of companies doing material related to the Call of Cthulhu roleplaying game. Maybe I’ll do a commercial release at some point, who knows?
Here are samples of my work-in-progress and its nominal competitors. I’ll leave telling which is which as an exercise for the viewer—make your guess before you hover your cursor over the images, or read the comments.