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	<title>Comments on: A font by any other name?</title>
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	<link>http://www.thomasphinney.com/2009/02/font-name/</link>
	<description>the Phinney-us Blog on Typography &#38; Text</description>
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		<title>By: Reed Reibstein</title>
		<link>http://www.thomasphinney.com/2009/02/font-name/comment-page-1/#comment-161</link>
		<dc:creator>Reed Reibstein</dc:creator>
		<pubDate>Sat, 14 Mar 2009 21:30:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.thomasphinney.com/?p=194#comment-161</guid>
		<description>Regarding some other aspects of the survey, I think the major issue is that our terminology, as has been mentioned, comes largely from metal type, but with such expansive font groups nowadays, the historical baggage is detrimental. The font/typeface distinction, while important, clouds the words and makes them more difficult to put into a terminological system.

This is nothing radical, but as I see it, the system (without the names we are seeking) should be

1) A single style, e.g. Garamond Premier Pro Caption Semibold Italic or Garamond Premier Pro Display Regular.

2) A weight, width, optical size, etc. These are smaller groupings that would not often be broken out as separate wholes. For example, we usually talk about Benton Sans, not Benton Sans Thin, Benton Sans Condensed, Benton Sans Italic, etc. Caveat: Interestingly, H&amp;FJ do tend to emphasize the different widths as distinct versions (e.g. http://www.typography.com/fonts/font_overview.php?productLineID=100008), but according to what they write, that&#039;s because in this case Gotham Condensed changes more than Gotham Narrow and Extra Narrow from the regular width. In other cases (as with HTF Didot and Requiem), they don&#039;t.

3) A larger stylistic group that could stand alone, e.g. Fresco Serif, Fresco Sans, Fresco Informal, Fresco Script. Each of those in this group are related to the others but have significant differences beyond what could be considered tweaks or variations. If I saw Scala Sans, for example, I would not assume that there must be a Scala Serif, too. (This category is a bit harder to define precisely, since people make condensed fonts without wider versions and display fonts without text versions. Perhaps the difference is in how different one group is from the others). 

4) The biggest group that comprises all other stylistic groups. In the interest of clarity, this term should not be used for groups that could fit in smaller categories. So Arno Pro, having weights, italicizations, and optical sizes, should be referred to as #3, not #4, but Vista (containing Sans and Slab varieties) should be called #4. Of course, this presents a bit of a problem when speaking to a layman, but a layman might see the Sans and Slab varieties of Vista more as separate items (and thus #3s) rather than one large group (#4).

My proposed names would be #1 = font, #2 = style, #3 = typeface, #4 = type family. But, as I said before, the meanings of these words keep the classification from seeming as rational as it could be. 

Sorry for the long post, but I&#039;d appreciate any feedback on this. The poll results should be very useful for determining the terms used, but maybe it&#039;s necessary to first have a definite structure to apply the terms to.</description>
		<content:encoded><![CDATA[<p>Regarding some other aspects of the survey, I think the major issue is that our terminology, as has been mentioned, comes largely from metal type, but with such expansive font groups nowadays, the historical baggage is detrimental. The font/typeface distinction, while important, clouds the words and makes them more difficult to put into a terminological system.</p>
<p>This is nothing radical, but as I see it, the system (without the names we are seeking) should be</p>
<p>1) A single style, e.g. Garamond Premier Pro Caption Semibold Italic or Garamond Premier Pro Display Regular.</p>
<p>2) A weight, width, optical size, etc. These are smaller groupings that would not often be broken out as separate wholes. For example, we usually talk about Benton Sans, not Benton Sans Thin, Benton Sans Condensed, Benton Sans Italic, etc. Caveat: Interestingly, H&amp;FJ do tend to emphasize the different widths as distinct versions (e.g. <a href="http://www.typography.com/fonts/font_overview.php?productLineID=100008)" rel="nofollow">http://www.typography.com/fonts/font_overview.php?productLineID=100008)</a>, but according to what they write, that&#8217;s because in this case Gotham Condensed changes more than Gotham Narrow and Extra Narrow from the regular width. In other cases (as with HTF Didot and Requiem), they don&#8217;t.</p>
<p>3) A larger stylistic group that could stand alone, e.g. Fresco Serif, Fresco Sans, Fresco Informal, Fresco Script. Each of those in this group are related to the others but have significant differences beyond what could be considered tweaks or variations. If I saw Scala Sans, for example, I would not assume that there must be a Scala Serif, too. (This category is a bit harder to define precisely, since people make condensed fonts without wider versions and display fonts without text versions. Perhaps the difference is in how different one group is from the others). </p>
<p>4) The biggest group that comprises all other stylistic groups. In the interest of clarity, this term should not be used for groups that could fit in smaller categories. So Arno Pro, having weights, italicizations, and optical sizes, should be referred to as #3, not #4, but Vista (containing Sans and Slab varieties) should be called #4. Of course, this presents a bit of a problem when speaking to a layman, but a layman might see the Sans and Slab varieties of Vista more as separate items (and thus #3s) rather than one large group (#4).</p>
<p>My proposed names would be #1 = font, #2 = style, #3 = typeface, #4 = type family. But, as I said before, the meanings of these words keep the classification from seeming as rational as it could be. </p>
<p>Sorry for the long post, but I&#8217;d appreciate any feedback on this. The poll results should be very useful for determining the terms used, but maybe it&#8217;s necessary to first have a definite structure to apply the terms to.</p>
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		<title>By: Reed Reibstein</title>
		<link>http://www.thomasphinney.com/2009/02/font-name/comment-page-1/#comment-160</link>
		<dc:creator>Reed Reibstein</dc:creator>
		<pubDate>Sat, 14 Mar 2009 20:58:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.thomasphinney.com/?p=194#comment-160</guid>
		<description>Carina: Very good point. I&#039;ve never considered that as a potential source of the fungibility of terms discussed here.

As a type geek, I greatly enjoyed this poll. I&#039;ve always been a stickler for the font/typeface distinction. 

BTW, when I asked Jonathan Hoefler about where he came down on this distinction, he said that he doesn&#039;t see it as a big deal. The bigger problem, he said, is confusion between &quot;typographer&quot; and &quot;type designer,&quot; with the former being used to encompass both designing typographic works and typefaces.</description>
		<content:encoded><![CDATA[<p>Carina: Very good point. I&#8217;ve never considered that as a potential source of the fungibility of terms discussed here.</p>
<p>As a type geek, I greatly enjoyed this poll. I&#8217;ve always been a stickler for the font/typeface distinction. </p>
<p>BTW, when I asked Jonathan Hoefler about where he came down on this distinction, he said that he doesn&#8217;t see it as a big deal. The bigger problem, he said, is confusion between &#8220;typographer&#8221; and &#8220;type designer,&#8221; with the former being used to encompass both designing typographic works and typefaces.</p>
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		<title>By: Carina Marano</title>
		<link>http://www.thomasphinney.com/2009/02/font-name/comment-page-1/#comment-146</link>
		<dc:creator>Carina Marano</dc:creator>
		<pubDate>Thu, 05 Mar 2009 18:08:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.thomasphinney.com/?p=194#comment-146</guid>
		<description>I think the confusion became widespread with software programs like Word that let users apply attributes like bold and italic, creating fake fonts. This confused some people into thinking that a user didn&#039;t need a separate font for bold and italic, extended, condensed, etc. Therefore the typeface became the font. And the font faded away...</description>
		<content:encoded><![CDATA[<p>I think the confusion became widespread with software programs like Word that let users apply attributes like bold and italic, creating fake fonts. This confused some people into thinking that a user didn&#8217;t need a separate font for bold and italic, extended, condensed, etc. Therefore the typeface became the font. And the font faded away&#8230;</p>
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		<title>By: Alan Gilbertson</title>
		<link>http://www.thomasphinney.com/2009/02/font-name/comment-page-1/#comment-137</link>
		<dc:creator>Alan Gilbertson</dc:creator>
		<pubDate>Thu, 05 Mar 2009 00:56:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.thomasphinney.com/?p=194#comment-137</guid>
		<description>Coincidentally, I just started a newsletter for clients and other interested folks, aimed at educating them to break away from the defaults in Word (and other common office software). The first bit of terminology I cleared up for the reader was the difference between a typeface and a font. (I agree with your definitions. I lay no claims to being a typographer, but I have the geek nature.)</description>
		<content:encoded><![CDATA[<p>Coincidentally, I just started a newsletter for clients and other interested folks, aimed at educating them to break away from the defaults in Word (and other common office software). The first bit of terminology I cleared up for the reader was the difference between a typeface and a font. (I agree with your definitions. I lay no claims to being a typographer, but I have the geek nature.)</p>
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		<title>By: Steve Fairbairn</title>
		<link>http://www.thomasphinney.com/2009/02/font-name/comment-page-1/#comment-123</link>
		<dc:creator>Steve Fairbairn</dc:creator>
		<pubDate>Thu, 26 Feb 2009 17:17:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.thomasphinney.com/?p=194#comment-123</guid>
		<description>As with typography in general I think it always best to revert to the terminology used when hand setting monotype in lead. That&#039;s where I started, and if you know the basics you can&#039;t go far wrong. Each font (size, style, everything) was stored in a separate tray (or case) and woe betide anyone who dumped his used lead into the wrong tray. Nowadays there are a lot of casual type users who don&#039;t know their arses from their elbows, so a survey of this kind is long overdue. Hopefully someone may learn from it :-)</description>
		<content:encoded><![CDATA[<p>As with typography in general I think it always best to revert to the terminology used when hand setting monotype in lead. That&#8217;s where I started, and if you know the basics you can&#8217;t go far wrong. Each font (size, style, everything) was stored in a separate tray (or case) and woe betide anyone who dumped his used lead into the wrong tray. Nowadays there are a lot of casual type users who don&#8217;t know their arses from their elbows, so a survey of this kind is long overdue. Hopefully someone may learn from it <img src='http://www.thomasphinney.com/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
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		<title>By: David Bergsland</title>
		<link>http://www.thomasphinney.com/2009/02/font-name/comment-page-1/#comment-122</link>
		<dc:creator>David Bergsland</dc:creator>
		<pubDate>Thu, 26 Feb 2009 12:14:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.thomasphinney.com/?p=194#comment-122</guid>
		<description>Typeface and font have become synonyms. In my experience font is used more. A font family is a collection of styles (also commonly called typestyles). A font is all the characters found in a given typestyle. So Hal Bold is a different font from Hal Thin.

I suspect this is not traditional usage, but who cares? Clear communication is found using the terms in this manner for most people in the US in the first decade of the 21st century. I do not know if this lines up with use outside this narrow sphere of experience, but then I am relating to people all over the world and this seems understandable usage for all English speakers.

&lt;i&gt;[I think the problem is that we need a single word to refer to a single style of a type design... and &quot;font&quot; is the popular choice. Only a very small minority of survey respondents think of &quot;typeface&quot; and &quot;font&quot; as synonyms, for whatever that&#039;s worth. I&#039;ll cut off the survey soon and publish results.... - T]&lt;/i&gt;</description>
		<content:encoded><![CDATA[<p>Typeface and font have become synonyms. In my experience font is used more. A font family is a collection of styles (also commonly called typestyles). A font is all the characters found in a given typestyle. So Hal Bold is a different font from Hal Thin.</p>
<p>I suspect this is not traditional usage, but who cares? Clear communication is found using the terms in this manner for most people in the US in the first decade of the 21st century. I do not know if this lines up with use outside this narrow sphere of experience, but then I am relating to people all over the world and this seems understandable usage for all English speakers.</p>
<p><i>[I think the problem is that we need a single word to refer to a single style of a type design... and "font" is the popular choice. Only a very small minority of survey respondents think of "typeface" and "font" as synonyms, for whatever that's worth. I'll cut off the survey soon and publish results.... - T]</i></p>
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		<title>By: Alan Scott</title>
		<link>http://www.thomasphinney.com/2009/02/font-name/comment-page-1/#comment-109</link>
		<dc:creator>Alan Scott</dc:creator>
		<pubDate>Sat, 21 Feb 2009 16:54:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.thomasphinney.com/?p=194#comment-109</guid>
		<description>If I just sits and think I can work it out. A face is recognisable. Therefore a typeface is the thing that makes the bunch of words recognisably different from another bunch of words put together with a different typeface.

So... this leaves font. I looked it up in my dictionary on the Macbook and I quote &quot;a set of type of one particular face and size.&quot;

So that gives us typeface, type and font. Specific, general and collective. 

I&#039;m not a type designer but I&#039;m well aware of the effort and care that goes into the design of a good typeface and into all the weight variations and the other bits besides the letters and numbers. I try and make my my graphics students aware of this. They think it&#039;s just what each letters look like with not a thought to what happens when you make them into words. Hence the loads of mainly rubbish free fonts.</description>
		<content:encoded><![CDATA[<p>If I just sits and think I can work it out. A face is recognisable. Therefore a typeface is the thing that makes the bunch of words recognisably different from another bunch of words put together with a different typeface.</p>
<p>So&#8230; this leaves font. I looked it up in my dictionary on the Macbook and I quote &#8220;a set of type of one particular face and size.&#8221;</p>
<p>So that gives us typeface, type and font. Specific, general and collective. </p>
<p>I&#8217;m not a type designer but I&#8217;m well aware of the effort and care that goes into the design of a good typeface and into all the weight variations and the other bits besides the letters and numbers. I try and make my my graphics students aware of this. They think it&#8217;s just what each letters look like with not a thought to what happens when you make them into words. Hence the loads of mainly rubbish free fonts.</p>
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		<title>By: msikma</title>
		<link>http://www.thomasphinney.com/2009/02/font-name/comment-page-1/#comment-105</link>
		<dc:creator>msikma</dc:creator>
		<pubDate>Sat, 21 Feb 2009 15:15:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.thomasphinney.com/?p=194#comment-105</guid>
		<description>Just did the survey. I kinda feel like a total geek now. :-)</description>
		<content:encoded><![CDATA[<p>Just did the survey. I kinda feel like a total geek now. <img src='http://www.thomasphinney.com/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
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		<title>By: msikma</title>
		<link>http://www.thomasphinney.com/2009/02/font-name/comment-page-1/#comment-104</link>
		<dc:creator>msikma</dc:creator>
		<pubDate>Sat, 21 Feb 2009 15:06:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.thomasphinney.com/?p=194#comment-104</guid>
		<description>Hey there. I&#039;m not an expert by any means, but I was always under the impression that a typeface is what you call an actual type design, such as Helvetica, and that a font (in the modern sense of the word) is one of the often multiple versions, styles or weights of such a typeface. Such that Helvetica Bold would be the font, in which case Helvetica would be the typeface.

Of course, that&#039;s probably not correct either (judging by the comments!) but I&#039;ll fill in the survey based on what I&#039;m saying right here.</description>
		<content:encoded><![CDATA[<p>Hey there. I&#8217;m not an expert by any means, but I was always under the impression that a typeface is what you call an actual type design, such as Helvetica, and that a font (in the modern sense of the word) is one of the often multiple versions, styles or weights of such a typeface. Such that Helvetica Bold would be the font, in which case Helvetica would be the typeface.</p>
<p>Of course, that&#8217;s probably not correct either (judging by the comments!) but I&#8217;ll fill in the survey based on what I&#8217;m saying right here.</p>
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		<title>By: Johno</title>
		<link>http://www.thomasphinney.com/2009/02/font-name/comment-page-1/#comment-103</link>
		<dc:creator>Johno</dc:creator>
		<pubDate>Sat, 21 Feb 2009 14:51:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.thomasphinney.com/?p=194#comment-103</guid>
		<description>Great idea for a poll. &quot;Current usage&quot; is what&#039;s most important. I think there are some among us who are desperately trying to hold on to definitions that only confuse; definitions that require recourse to analogy, if most are to make sense of them. In my experience most use typeface and font synonymously. That used to pain me. Now, I have no problem with it. It is current usage that will determine tomorrow&#039;s definition.

Looking forward to seeing the results.</description>
		<content:encoded><![CDATA[<p>Great idea for a poll. &#8220;Current usage&#8221; is what&#8217;s most important. I think there are some among us who are desperately trying to hold on to definitions that only confuse; definitions that require recourse to analogy, if most are to make sense of them. In my experience most use typeface and font synonymously. That used to pain me. Now, I have no problem with it. It is current usage that will determine tomorrow&#8217;s definition.</p>
<p>Looking forward to seeing the results.</p>
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